Senior BFA student Dev Saxman reflects on the first week of Buscar A Través, our concerts featuring original student choreography. The recap and review offers a unique perspective from inside and outside, as a performer and choreographer and an audience member.
Student Review: Dev Saxman on FREE FALL - Student Performance Night Fall 2025
Dance Center students reflect on our Fall 2025 Symposium: What is Contemporary?
We invited a few students to reflect on their experience of the What is Contemporary? Symposium, the fall 2025 edition of this annual gathering.
Kaleigh Dent looks back and synthesizes our Fall 2025 Symposium: What is Contemporary?
What Is Contemporary? Symposium 2025, hosted by the Dance Center of Columbia College Chicago, explored the idea of ‘contemporary’ and the many meanings it takes on in reference to dance. The conference acknowledged that the word contemporary has a definitive meaning - ‘belonging to or happening now’ – while also recognizing that when paired with the word ‘dance’ (i.e., contemporary dance), takes on vastly different definitions from artist to artist. In this three-day symposium, dancers, academics, and professionals in the dance field contemplated this word contemporary – and in term contemporary dance – to not define it, but to understand what the complexity of the word means for the dance industry. Kaleigh Dent synthesizes some of the conversations and threads that emerged over the course of the symposium and related events.
Timothy Tsang: Spiraling Through Contemporary Dance
Timothy Tsang (BA, Dance 2017) returns to the Dance Center to present a workshop on his current research into Leslie Cheung, the Hong Kong pop icon whose concerts and films have become central to queer cultural memory as part of our Fall 2025 symposium. Here, Timothy reflects on What is Contemporary?
NANIGO 2025: Movement, Memory, and Liberation on Juneteenth
Raynner Garcia (BFA, Musical Theatre ‘26) shares his experience of the National Association for American African Dance Teacher’s annual dance intensive NANIGO 2025 in this reflection. “Just a block from the Dance Center of Columbia College Chicago, the Autin Lo’Ren Studio was full of warmth and rhythm the moment we stepped in. You could feel the energy pulsing before any music played; it was a community in motion. As someone with limited experience in Umfundalai, I came with a few nerves, but the generosity of the community quickly washed those away. That is the essence of Umfundalai. More than a technique, t’s a philosophy rooted in Diasporic movement traditions, ancestral connection, and the beauty of the African body.”








